2026

  • MARCH | WRITE CLUB’s writing incubator is almost complete, culminating in 10 developmental readings throughout March. I’m so happy to be collaborating with dear friends old and new to produce these readings. Tickets are available now at our new website!

  • FEBRUARY | The team behind the musical adaptation of Practical Magic, the bestselling novel and hit film, announced its development! I am incredibly grateful to have been in the room for several workshops as Associate Director to director Maria Friedman, alongside book writers Alice Hoffman and Peter Duchan as well as composers Norah Jones and Gregg Wattenberg.

  • FEBRUARY | I produced are you listening? (one of my favorite new plays) at The Makers’ Space. are you listening? is an adaptation of a graphic novel that centers a butch protagonist. I first read this play as a blind submission and fell in love with it. I’m grateful I got to be a part of bringing it to life (and in The Makers’ Space’s first week of productions in their new Williamsburg space!).

  • FEBRUARY | WRITE CLUB launched our Substack newsletter, and our first post amplifies writers in Minneapolis and the greater Minnesota area. WRITE CLUB also had our first reading session with actors for the writers in the Punching Bag Series incubator to hear their work out loud!

  • JANUARY | In collaboration with The Interstitial, I was Line Producer and Production Manager for a workshop of P O L A R I S (a tragedy expansion pack) at 59E59 Theaters.

are you listening?, The Makers’ Space, 2026. Taking down set dressings during strike.

2025

  • DECEMBER | Slanted Floors (dir. Ryan Dobrin) was featured on two Best Theatre of 2025 lists: Helen Shaw’s in The New Yorker and Jackson McHenry’s in Vulture.

  • NOVEMBER | I’m Intimacy Director for Gray Mud (dir. Damayanti Wallace, by Brie Leftwich), a play set at a New Jersey summer camp that explores the boundary between innocence and experience. Running November 7-23 at The Theatre for a New City.

  • SEPTEMBER | I was ASM for a 29-hour reading of a project in development alongside writers Benj Pasek, Justin Paul, and Michael Mitnick, and director Teddy Bergman.

  • SEPTEMBER | I’m delighted to be Associate Director to Ryan Dobrin on Slanted Floors, created and produced by Billy McEntee and starring Kyle Beltran and Adam Chanler-Berat. Slanted Floors is a play set around a meal, in a Brooklyn apartment, for an audience of five. Read about it on Playbill, Theatrely, and Broadway World.

  • AUGUST | In collaboration with WRITE CLUB NYC, I’m Lead Producer on WRITE CLUB Summer Playfest at The Vino Theatre in Brooklyn, featuring six new plays by emerging writers. Read more about the festival in AMPD Mag and Broadway World.

  • JULY | This month, I’m coming on as Assistant Director for Mommy (by Molly Kate Babos, dir. Violet Woundy), a new play coming to Classic Stage Company as part of the SheNYC Summer Theatre Festival.

  • JULY | Bodies and Beds (dir. Damayanti Wallace, by Nadel Henville) returns, this time as part of Re/Venue at Mabou Mines. I supervised as Intimacy Consultant.

  • JUNE | I’m so excited to be a collaborator on The Tank’s Pridefest as Intimacy Coordinator for The Sickness of Wanting (written and directed by Ethan Manuel Homen).

  • MAY | As Intimacy Consultant, I popped into the rehearsal room of Gray Mud (dir. Damayanti Wallace) to provide actors with strategies to take care of themselves and each other during their upcoming staged reading.

  • APRIL | Wesleyan University announced that the Fries Arts Building will be open in Fall 2025. I’m excited for current students to benefit from this additional arts space, and proud that I was able to advocate for its construction to the Board of Trustees back in 2023 as a Theatre Major Representative.

  • APRIL I As a Production Assistant, I supported director John Rando (Back to the Future: The Musical) for a workshop of a new play.

  • MARCH | I joined the team of Bodies and Beds (dir. Damayanti Wallace, by Nadel Henville) as Intimacy Coordinator for their upcoming run at The Tank in Cloche: A Menu of New Work.

Slanted Floors, a Greenpoint apartment, 2025. Actor Kyle Beltran tells one of five audience members a story. (Photo courtesy of HanJie Chow).

WRITE CLUB Summer Playfest, The Vino Theater, 2025. WRITE CLUB family celebrating post-opening!

2024

  • DECEMBER | Slanted Floors (dir. Ryan Dobrin) was featured on two Best Theatre of 2025 lists: Helen Shaw’s in The New Yorker and Jackson McHenry’s in Vulture.

  • NOVEMBER | I’m Intimacy Director for Gray Mud (dir. Damayanti Wallace, by Brie Leftwich), a play set at a New Jersey summer camp that explores the boundary between innocence and experience. Running November 7-23 at The Theatre for a New City.

  • SEPTEMBER | I was ASM for a 29-hour reading of a project in development alongside writers Benj Pasek, Justin Paul, and Michael Mitnick, and director Teddy Bergman.

  • SEPTEMBER | I’m delighted to be Associate Director to Ryan Dobrin on Slanted Floors, created and produced by Billy McEntee and starring Kyle Beltran and Adam Chanler-Berat. Slanted Floors is a play set around a meal, in a Brooklyn apartment, for an audience of five. Read about it on Playbill, Theatrely, and Broadway World.

  • AUGUST | In collaboration with WRITE CLUB NYC, I’m Lead Producer on WRITE CLUB Summer Playfest at The Vino Theatre in Brooklyn, featuring six new plays by emerging writers. Read more about the festival in AMPD Mag and Broadway World.

  • DECEMBER | As Script Assistant, I supported director Rory Pelsue for a play workshop.

  • DECEMBER | you don’t have to do anything (dir. Ryan Dobrin) was featured on Jackson McHenry’s Vulture Best Theater of 2024 list, alongside Maybe Happy Ending, Cats: The Jellicle Ball,and Oh, Mary!

  • OCTOBER | As her Associate Director once again, I worked alongside Maria Friedman for another workshop of a musical in development. Being in the room with Maria is always a joy and a privilege!

  • NOVEMBER | In collaboration with The Fool Volk, I produced a sold-out run of Take Me to Dollywood (dir. Kealani Petito & Harris Singer) at St. Lydia’s in Brooklyn.

  • AUGUST | I joined Tony-nominated director Maria Friedman as her Associate Director for a workshop of a musical in development. During the workshop, I also was Script Assistant to Robert Horn, Tony-winning book writer of Tootsie.

  • JUNE | I reunited with my mentor Erica Wray as her Assistant Director for the developmental reading of ward, produced by The Interstitial at the Court Square Theatre in Queens. This group was courageous and tackled Jarek Pastor’s imaginative text head-on!

  • JUNE | Leave if No Response (dir. Isabelle Chirls and Sarah Shapiro) by Abby Fisher had a sold-out run at The Tank! I was also Lead Producer and Intimacy Director on this project.

  • FEBRUARY | you don’t have to do anything premiered at HERE Arts Center, and I loved every minute of supporting Ryan Dobrin’s vision as his Associate Director. YDHTDA received glowing reviews in The New Yorker, Vulture, Theater Mania, and Lighting & Sound.

Take Me to Dollywood, St. Lydia’s, 2024. An audience member wins a staring contest with the playwright. (Photo courtesy of August Cao).

you don’t have to do anything, HERE Arts, 2024. Director Ryan Dobrin and I give actor notes mid-tech.

2023

  • DECEMBER | I’m over the moon to join Ryan Dobrin as his Associate Director for you don’t have to do anything Off-Broadway at HERE Arts Center. Written by Ryan Drake and produced by Pulitzer Prize finalist Will Arbery, YDHTDA will premiere in February 2024.

  • SEPTEMBER | I participated in the month-long workshop Foundations of Consent Consent & Intimacy with Intimacy Directors and Coordinators (IDC).

  • MAY | I was awarded the Outreach and Community Service Prize in Theatre at Wesleyan University.

  • MAY | I was the Associate Director and Intimacy Coordinator on Fun Home(dir. Sof Cohen), the first musical to go up at Wesleyan University since pre-COVID. We sold out all four performances of our run in the ‘92 Theatre. Grateful that Spike Tape is keeping student theatre propelling forward at Wes!

  • APRIL | I received High Honors for my thesis “Make the Roof Cave In: Writing Queer Expression on the Page and the Stage,” which consisted of a research paper and anthology from my student forum Redefining the Writing Workshop.

  • APRIL | Alongside my fellow Theatre Major Representatives, I presented to the Board of Trustees to secure increased funding for the department and represent student interests in the design and construction of new facilities.

Fun Home, Wesleyan University, 2023. The cast and DSM team celebrate a triumphant final dress.